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I've been live coding in some form since 2012. In 2020, I started a remote collaboration with composer Rachel Devorah where we use SuperCollider and Troop to simultaneously shape a live coded sonic structure of manipulated samples and synthesized textures. Since late 2021 we've continued to develop our practice and include improvisations within the Estuary Collaboative Live Coding environment as part of our performances. In 2022, we started also collaborating with visual artist and live coder Melanie Wilson in remote performances incoporating MiniTidal and Hydra and P5.js coded visuals.